John (
greatoldjohn) wrote2022-10-31 02:46 am
Entry tags:
TLV Inbox

[in a rather deep voice] "This is John Doe. Please leave your message. I'll get back to you as soon as I can. I may respond in text if I'm currently with Arthur. Apologies."
Now Moved To: Inbox: Act II - please tag in there!

During Murdertimes
"Fuck--"
He keeps his voice low, but the sound of combat is sharp in his ears as he darts low across the hall: he thinks of his gun and immediately dismisses it. Not him, not with an ally, he'll just make things worse.
"We can't help right now, let's just-- grab her and run," he mutters quickly. "Where is Nat?"
Re: During Murdertimes
Fucker.]
Re: During Murdertimes
He keeps his hand on the wall as he moves swiftly closer, trying to gauge his steps so he doesn't overshoot.
Re: During Murdertimes
She's here, Arthur.
If we can grab her and get her to the stairs, we can be completely clear. The stairs aren't ideal but it's better than trying to get past the fight.]
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It's going to be a fucking miserable time for John, either way, but it's not like they have a choice, as he reaches to grab Nat's arm.
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"Oh, god--" she breathes, dropping to check her pulse. She looks very, very dead, but the impulse is automatic.
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Ask her to help you get Natalie on your shoulder. We need to go. Now.]
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He's not going to bother waiting for her, instead just reaching down to grab Natalie's forearm to try and hitch her up.
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The idea of trying to document the scene the way she had with Tim crosses her mind: taking notes, taking pictures, solving the exciting murder mystery. But Taylor, ultimately, hadn't been entirely wrong back then. There aren't any clues here. John and Arthur have already contaminated the scene. Nothing and no one will be able to give them better information than Natalie herself, and for that to happen--
"No, not like that; be careful," she snaps, moving to cradle Natalie's neck when Arthur makes a grab for her arm. "One holds her legs, and the other holds her shoulders."
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He does not want to bring Misty's attention to the fight going on or the fact that one of the combatants is the killer. That is not a distraction they need right now.
[Okay, Arthur, we're going to shift and just slide under her arms; our chest will hold up her head. Misty can take the legs; she's shorter and she can face forward with one leg in either arm. That way she can lead. ]
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He is in no mood to acquiesce to her on the best of days, least of all when they are very much under threat, but he'll follow John's direction, and both arms get underneath Natalie's to cradle her with surprising delicacy to his chest.
"Face forward, Misty, take her legs and help me get her upstairs. We'll take the elevator there."
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"Miss Quigley, we can explain what happened to her," he says, his tone short and clipped. "But we need to get her and ourselves to safety. The infirmary."
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There's a huff inside of him. Don't worry, Arthur, he's also annoyed.
[Fighting her will just take more time. I'll guide you back.
Once we get in the elevator, Misty should put Natalie's legs down and tell someone what's happening. We'll be clear and protected by then, but whoever's fighting the killer might need help.]
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"Miss Quigley, we can get Nat to the infirmary ourselves. Go back and call someone, find another warden to stop the fighting now."
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[Guide her to the idea, Arthur, just as you did for me early on. The sooner we're through with this, the sooner we can help Natalie and young Mandrake.]
He's not sure the effect of mentioning Arthur's ward to him right now might be but he has to hope that it reminds Arthur of what's important here.
[The legs can be put down for a moment; feet go on the ground anyway and we're holding her top half.]
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He is trying very hard not to loose his patience but this is so fucking trying. "Please, Misty, call someone. We're not going to let anything happen to Natalie, and we are wasting time arguing."
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As she relays this not-entirely-correct assessment of how death tolls work, she wiggles one of Natalie's legs under her arm, pinning it there as she pulls out her communicator.
"Take her head in first; I need to be near the doors so I can press the button." Into her communicator, she adds, "Level [X], hallway. Two, maybe three down."
The message is then sent off to Dracula, who she hopes to god is not alone on infirmary duty today.
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He knows he would be. He knows he is. The fact that they got Nate to the infirmary before coming to get Nat is something he's just going to have to live with, even if he stands by that choice. Even if it was the smart call.
[If you turn your head, Arthur, I can guide you backwards. As I recall, there's a slight lip between the door and the floor, so lift your feet a little higher than you would normally on the way out.]
...does he want to argue about whether they should be going backwards? Is Arthur still blind, Misty? For fuck's sake? Yes. Does he think it will do anything more than make them carry Nat for longer? No.
On my way. comes from Dracula's communicator.
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