John (
greatoldjohn) wrote2022-10-31 02:46 am
Entry tags:
TLV Inbox

[in a rather deep voice] "This is John Doe. Please leave your message. I'll get back to you as soon as I can. I may respond in text if I'm currently with Arthur. Apologies."
Now Moved To: Inbox: Act II - please tag in there!

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[She runs a hand over the top of the desk, picking up a trinket and examining it for a moment before turning back to Arthur, smiling brightly.]
Lead the way!
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Don't touch anything on the far desk. Nothing.
[ More quiet. ]
Please.
[ He doesn't breathe but there's the impression he's taking a deep breath. Then he heads towards one of the doors. ]
Sorry about the smell. I've been painting and I don't breathe.
[ He opens the door and there is the smell of paint from the container space. But more importantly, even from the outside, the fact that the walls have been painted, some with bright colors, is clear enough. ]
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Whose desk is that far one, yours or his? Or...
[What had been the name on the door?]
Peter's?
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Peter's, yes.
[ The nickname of 'Parker' is Arthur's to share. ]
Peter was Arthur's partner in Arkham.
He's dead now. So please leave it alone. Over here.
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So!
[She says - smiling, clasping her hands in her lap.]
Natalie.
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One wall is a night sky, viewed from an unknown spot somewhere in New England and framed by tree branches and leaves. Normal enough, even if there's something about the brush strokes that almost seems to draw one in.
But the other wall is something else: a lake and a ruined city in the distance, twin suns sinking into the water and a few strange moons in the sky hanging between stars that are blacker than the space around them. The ruins themselves seem a strange mix of cultures and architectures, like something out of a dream, though the shadows from the various buildings all seem overly long, as if they're seeping out from where they belong. This mural holds something strange to it, something not offputting but mournful and ancient and disorienting, as if it's pulling you to someplace and sometime that never has been and never will be because it never could be again: nostalgia for a place you've never visited and never will.
John floats between Misty and that painting, seemingly by chance.]
Yes, Natalie. What did you want to talk about?
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Well, I...
[She trails off, staring hungrily at the painting.
And then, just like that, she forces herself to snap out of it, gaze sharp and alert as she flicks her eyes back to John.]
Right! Nat. Are you happy about being her warden?
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Yes. I'm very happy to be her warden. I... care about her. And I want to help her.
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[She figures she knows what the answer will be, but who knows! Maybe he'll surprise her.]
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[ Not harsh. Not angry. Just firm. ]
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It was worth a try.
[Then expression turns serious.]
You've read her file.
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I have. I did before I went to speak to her.
cw: suicide
[And then Misty smiles - only briefly before it flutters away, but it's a smile all the same. But though it's grotesque and inappropriate, it's not happy or gleeful. It's the awkward, uncomfortable smile of someone who doesn't know what to do, or say or think or feel, and is used to covering up discomfort at all costs.
She doesn't know what to do, or say, or think, or feel. But she is so worried.]
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[ He watches Misty for a moment before he adds- ]
I'm going to help her, Misty. The way Arthur helped me. I wanted to look out for her before this even happened. Now, I can.
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[She knits her fingers together, hard enough to turn her knuckles white.]
We can work together.
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[ He knows better than to outright refuse her, for any number of reasons.]
As long as we can agree that I'm her warden. And that undermining me or going behind my back won't help her.
If we're going to be a team, then we have to be a team.
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[ See how that part sounds bad? ]
Do you trust me with her?
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[She says, pushing her glasses up her nose and looking at him steadily.]
To an extent.
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[ He's being honest here, Misty. ]
Are your concerns that I would harm her intentionally or that I would harm her unintentionally?
[ A pause. ]
Or that I would try to take her away from you?
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[She says immediately, clasping her hands more tightly together.]
Pagan already puts so many limitations on us. You could make things even worse.
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